Bakhtin’s dialogic processes underpin performances of all types, which are often created in response to sociopolitical circumstances and events, and which carry out a dialog with their audiences, both through verbal language and body movements.įolktales function as a form of cultural heritage in contemporary society and offer models for interpreting experience in everyday practices, but the beliefs and values conveyed by many folktales are ingrained in a patriarchal discourse. Taking into consideration the dynamic and contextual nature of cognition, 4E research illuminates the way we understand the many forms of performance in terms of both production and reception. New research on “4E” (embodied, embedded, enactive, and extended) cognitioncognition4E cognition holds tremendous promise for interdisciplinary collaborations and possibilities for reciprocity between the humanities and the experimental sciences. Indeed, theater studies, film studies, and dance/movement studies may well turn out to be the scholarly areas where work grounded in contemporary embodied cognitive science has the most to offer. ![]() ![]() Cognitive approaches have been leading the way to new understandings of nonliterary art (i.e., multi-media, performance, perceptual genres).
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